Tag: weaponry

Hwa Rang Do®’s Weapon Fighting (Black Belt Magazine – January 2014)

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Hwa Rang Do Weapons: Taejoon Lee and the Korean Martial Art's New Spin on Traditional Sword and Stick Fighting

By Black Belt

Photos by Robert Reiff

Grandmaster Lee's task at hand: modernize hwa rang do's sword method for more modern appeal while preserving expression, uniqueness and safety.  No easy task, surely -- but Lee is no ordinary martial artist.

The two competitors kneel at opposite sides of the ring, a bamboo sword at each person's side. They slowly don their armor. As they stand, two additional plates — called hache hogu (leg armor) in Korean — reveal themselves, hanging down from their belts and covering their thighs. The referee brings them to the center, after which they bow, draw their swords and begin the bout. So far, it looks like a standard kendo or kumdo match, but as they clash, the flavor of the fight changes — with lightning-fast spins, low-level maneuvers and attacks aimed at more than just the head and wrists. While numerous forms of weapons sparring are practiced around the world, none is better-known than kendo. It's the frontman of competitive sword fighting and boasts more practitioners than any other art. However, in the eyes of many, it's badly in need of an update, especially with respect to the variety of techniques permitted. Enter hwa rang domaster Taejoon Lee. Taejoon Lee, president of the World Hwa Rang Do Association and son of the art's founder, Dr. Joo Bang Lee— as well as co-author of the landmark book Hwa Rang Do: Defend, Take Down, Submit— had his work cut out for him. The eighth-degree black sash knew that his art categorized its plethora of weapons according to how they're used in battle — slicing, striking, thrusting, throwing and so on. He also knew that much of that versatility was prohibited by kendo's rule structure.

Taejoon Lee tasked himself with modernizing his art's method of conducting sword fights to make it more appealing to modern practitioners. He wanted a solution that would permit the greatest possible expression of technique with both bladed and impact weapons, thus preserving the Korean art's uniqueness. And he knew that the solution would have to maintain the safety factor for which kendo is renowned.

To give a glimpse into the thought processes that went into the endeavor, he recalls an allegory from his homeland.

A Tale of Three Nations

“Three martial arts masters — one from China, one from Japan and one from Korea — came up to a massive stone wall," Taejoon says. “The Chinese master walked up to it, touched it, gave it a little push and then, realizing the wall was solid, went to look for a way around. The Japanese master walked up to the wall and stared at it, then took a stance and proceeded to punch it repeatedly. His fists were reduced to bloody stumps, but he eventually broke through. The Korean master looked at the wall, threw his favorite jump-spinning back kick and bounced off. He shrugged his shoulders, then went to search for a way around."

While it may sound like a cultural joke, the sociological implications of the story are spot on. The martial arts of each nation have been influenced not only by the personalities of their masters but also by the geography of the land.

Japan is a collection of islands. When attackers invaded, the locals had precious little room to retreat before ending up in the sea. Thus, it's not surprising that their combat mindset evolved to favor powerful and direct killing techniques. Systems such as kyokushin karate and kendo exemplify this idea with their hard-charging, one-punch-one-kill mentality.

China, on the other hand, is a vast land mass. If an invader came from one direction, retreat was almost always an option. Military strategies took into account the availability of maneuvering room and thus emphasized avoidance. That gave the Chinese the chance to develop martial arts that focused on yielding before delivering a finishing blow.

Situated between China and Japan, both geographically and ideologically, Korea is a peninsular nation. Historically, that afforded Koreans the ability to retreat toward the mainland if attacked from the ocean yet forced them to develop hard-core fight-or-die skills if backed up to the seaboard. Thus, their combative tendencies exhibit both linear and circular approaches.

Back to the Present

While striving to accomplish his task, Taejoon Lee appreciated that kumdo gave his students a chance to develop their linear sword skills in a sparring format, but he thought the standard rules prevented too many of the circular, spinning techniques that have always proved invaluable in combat.

“Hoi-jeon is a central concept in power development for hwa rang do," he explains. “To develop greater power output, you have to accelerate your weapon through a greater distance or place it under a greater torque. So when we spin — whether for a kick, a strike or a cut — we're trying to capitalize on that rotational force to impart the maximum damage to the target. It's not that you can't do that in kendo or kumdo; it's just that nobody really does it. So as soon as we implemented our new leg armor, which is now patent pending, spinning strikes or cuts to the thigh or belly suddenly had a lot more relevance."

To demonstrate his point, Taejoon Lee puts on his armor, picks up his bamboo sword and squares off with a student. They exchange blows and blocks for a few seconds, feeling each other out. As the opponent charges in with what ought to be a decisive head strike, Taejoon Lee blocks, spins and drops to one padded knee. The sound of his sword striking his adversary's leg armor resonates throughout the school. If the training equipment were replaced with live blades and the armor removed, a leg would have gone sailing through the air.

Circular Attack

Taejoon Lee then launches into an offensive application of the spin, upping the tempo of his footwork and movements. As the first few strikes are executed, it's obvious he's headhunting, unleashing heavy blows at his opponent, who can barely block in time. After each charge, Taejoon Lee backs off a bit more. Finally, he darts in with speed and ferocity, his weapon held high for a head attack. His opponent lifts his sword in hopes of blocking, but Taejoon Lee is one step ahead. Having drawn the man's weapon upward, Taejoon Lee spins underneath, effecting a beautiful belly strike. "A lot of martial artists say that any spinning technique is turning a blind eye to the opponent — they say that as soon as you turn your back, a straight- line technique will dominate you," Taejoon Lee says. "That's true — up to a point." To illustrate, he spins, and his opponent strikes him easily each time he does so. Point made: Using a blind spin without setting up the technique is a Hail Mary play in combat. Taejoon Lee then shows how the hoi-jeon principle should be used: He deflects his opponent's sword to the side, and by the time the man regains his composure and centerline control, he's already been cut. Mentally and physically, Taejoon Lee breaks his balance, drawing him into a specific reaction and capitalizing on the opening that's created.

With the modifications Taejoon Lee made to the safety gear, weapons training enters a whole new realm. Angles of attack and defense become less predictable — and more exciting to watch. Best of all, the improvement doesn't apply just to bamboo swords.

Taejoon Lee walks to the side of the ring, lays down his training weapon, picks up two shorter swords and goes to work. Then he switches to a rattan stick, a pair of sticks and a rattan staff. He and his opponent go sword against sword, double short swords against sword, double sticks against staff, and staff against staff, and the flavor of each weapon remains visible throughout.

“When I first implemented sword fighting, we used the standard kumdo format and I referred to it as kumdo," Taejoon Lee says. “But with the new safety armor and the emphasis on wider technique, we now call it gumtoogi (sword combat) or bongtoogi (stick combat)."

Like Against Like

In hwa rang do, impact weapons vie against impact weapons, and bladed weapons vie against bladed weapons because there are major differences in the associated strategies. With a stick or staff, students are allowed to make contact with any part of the shaft. With a sword, however, a cut must use the simulated edge and a thrust must use the tip and target the opponent's throat guard.

“It'd be easy to allow whatever contact to score, but that wouldn't honor the principles of each weapon's strong points," Taejoon Lee says. “Training should honor technique and revolve around principle. Scoring whatever just reinforces sloppy technique and dishonesty."

To that end, the spinning leg attacks effected with a simulated sword must be done with one knee touching the floor, and cuts that target the belly must be delivered from a standing position. Although, in reality, an edged weapon could certainly attack a leg from the standing position or the midsection from the kneeling position, the rule forces students to execute deliberate technique with a greater degree of precision. It also makes each move easier for officials to judge at tournaments, where more points are awarded for high-difficulty techniques such as spins.

Ready for Launch

To maximize the propagation of gumtoogi and bongtoogi, the World Hwa Rang Do Association has made the new weapons-sparring format open access. “This is a good program for traditional schools to teach applied weaponry with," Taejoon Lee says. “We took what kendo and kumdo brought to the table, used the majority of the targets and equipment, and modified it to allow for a wider expression of technique using a greater variety of weapons — while maintaining safety and emphasizing clear-cut attacks. For those who practice Korean martial arts weaponry, we've created a sparring format that allows them to express the real flavor of their art and develop the ability to attack at angles they couldn't use before."

As hwa rang do moves forward through its fifth decade, it's especially impressive to see a traditional art whose leadership has such a passion for maintaining and preserving ancient combat skills while applying ingenuity to improve the teaching and training methods. Taejoon Lee's commitment to this makes him one of the martial arts trailblazers of the 21st century.

Videos:

Grandmaster Taejoon Lee Gumtoogi Fighting Highlights

Seminar

Instructional Videos on Gumtoogi with Budo International 

For Purchase (Click Here)

Danbong – Short Stick (Black Belt Magazine – March 2003)

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Danbong – Short Stick
Descended from an Ancient Musical Device,
It is Now a Signature Weapon of Hwa Rang Do
(Black Belt Magazine – March, 2003)

Danbong1a

At first glance, the short stick appears to be one of the most innocuous parts of the hwa rang do arsenal. Measuring only about a foot long, it carries none of the visual shock value that a baseball bat or even a carpenter’s hammer would have in a dark alley. It’s not made of any exotic materials, and it’s not wielded with any kind of flashy movements. However, when it’s used right, the short stick is rudely effective. Perhaps that’s why I figures so prominently on the crest of Joo Bang Lee’s World Hwa Rang Do Association, the group responsible for bringing the comprehensive Korean self-defense art to America and the world.

History

The dan bong, as it’s called in Korean, descended from the drumsticks that Buddhist monks used-and still use-to beat the large drums that sit in every temple in the nation. In olden days, the priests would pound the instruments for prayer services and during emergencies when an alarm needed to be sounded in the monastery.

Use of the drumstick for self-defense became popular in the secular world during Korea’s Koryo dynasty, which lasted from 935 to 1392. “Policemen who were weaker and couldn’t rely on sheer physical force to overcome criminals used it as a tool to subdue their opponents,” Lee says.

The effectiveness of the weapon enabled those early law-enforcement officers to neutralize any advantages the hoodlums had without inflicting mortal injuries. And its small size meant it could be easily concealed or stowed when necessary.

DanbongCombo1

Construction

Then and now, the typical dan bong was a cylindrical piece of wood approximately 1 inch in diameter and 10 to 12 inches in length. A hole was bored in one end to allow the attachment of a tether, which could be wrapped around the martial artist’s hand and thumb to ensure a more secure grip.

Lee’s elder son, Taejoon Lee, himself a seventh-degree black sash in hwa rang do, extrapolates on the short stick’s structural practicality: “Most of the uninitiated view the dan bong as a joke. They squint and see this small wooden thing barely jutting out of the palm of your hand, and they laugh.”

Indeed, the dan bong in nondescript and can be partially concealed in the palm, but that only helps the bearer swing it into action with the element of surprise on his side. And as hwa rang do practitioners love to demonstrate, the simplest item or movement can have the greatest potential in combat.

DanbongCombo2a

Application

According to Taejoon Lee, the simple structure of the dan bong conceals five major fighting tools: the edge, the forward tip, the shaft, the pommel and the tether. In battle, those features can be applied in a number of devastating ways-which is in accord with hwa rang do’s concept of applied combat versatility, meaning that the maximum number of effective applications must be derived from every weapon and body part.

The edge of the stick, especially when not smoothed or rounded, provides an angular surface that is not dissimilar to the blade of a knife. It can be used to gouge, cut into or scrape off an adversary’s skin. Further versatility comes from the fact that one edge lies at each end of the weapon. If an opponent deflects a dan bong head strike, a simple twist of the wrist can enable you to redirect the edge so it makes contact with his face, injuring him and leaving him open to a follow-up strike.

The forward tip of the short stick is employed much like the tip of a hammer-using thrusting, stabbing and hacking motions. Additionally, the sides of the forward tip can be used with a flicking action of the wrist. Taejoon Lee explains: “You hold the dan bong loosely between your thumb and forefinger, and power it with the rolling action of your fingers. That allows rapid alternation between pronating and supinating your wrist, making the forward tip much like a heavy whip.”

When it comes crashing down on a joint or other hard body part, the bone underneath will shatter. That kind of whipping motion is clearly seen in hwa rang do’s dan bong blocks and strikes, making defense potentially as painful as offense. Indeed, Joo Bang Lee is fond of demonstrating the myriad of uses to which the short stick can be put by answering an opponent’s kick with a flicking tap to the shin. The adversary’s face inevitably turns white with pain after the seemingly effortless strike makes contact.

The dan bong’s shaft exemplifies versatility. While most arts teach students to use the body of an impact weapon only for blocking and striking, hwa rang do does not encumber its practitioners n any way. “The shaft of the dan bong can be used as an additional appendage,” says Joo Bang Lee. To demonstrate his point, he blocks a punch to the face, then deftly flips the shaft over his opponent’s wrist and grabs the tip with his free hand. The slightest downward force drops the opponent in a screaming heap. Lee then points out that joint manipulations are an essential part of combat and that the short stick’s rigidity makes it the perfect tool for creating additional force on the targeted joint or pressure point. Additionally, he says, the shaft serves to stabilize the fingers in a fist, much like a roll of quarters that is held wile a punch is thrown.

The short stick’s pommel can function as an excellent striking implement. When the forward tip is blocked, the pommel can whip around and hammer home a punishing strike-to the collarbone for instance. In close-range fighting, the pommel is often used as a shorter tool for augmenting the power of a joint manipulation. “Many times, someone will grab your weapon arm,” says Joo Bang Lee. “If that occurs, you don’t have to forgo a joint-manipulation technique simply because one of your hands is occupied with a weapon.” In such a situation, the pommel of the stick can easily circle the opponent’s wrist to effect a lock, and the lock can be more painful than an empty-hand lock because it uses the wooden surface to simultaneously pinch down on the pressure points in the wrist.

The dan bong’s tether is actually an important offensive tool, despite the fact that most observers see it as merely an apparatus to keep the stick from flying out of your hand. It can also be used to assist you in restraining an opponent’s wrist during a lock or in choking him afterward. Additional utility comes from being able to use the tether to create a flexible weapon: You grasp it while you strategically fling the dan bong into your opponent’s face, then yank it back into your palm. The skilled practitioner also knows how to link two short sticks together to create a makeshift nunchaku.

DanbongCombo3

Extrapolation

Martial artists tend to think of wooden weapons primarily as impact devices, but the hwa rang do short stick is obviously different because it enables you to strike, cut, lock and throw. “That gives you the full gamut of fighting techniques so you’re not limited to just beating wildly on someone like a child with a stick,” Taejoon Lee says. “The problem for many people lies in failing to achieve an adequate understanding of basic empty-hand combat, which can make bearing a weapon a detriment.”

If you decide to train in the use of the short stick-or any other hwa rang do short-range weapon-you must learn how to use both hands in a coordinated fashion, blocking and striking in a figure-8 or circular pattern, Taejoon Lee says. “Maximum damage is the goal of both empty-hand and weapons [techniques], so a solid understanding of pressure-point striking is also necessary.”
When it comes to self-defense, the most important thing to remember is that dan bong techniques can be done with a plethora of household items. Whatever is handy-be it a coke bottle, wrench, cell phone, flashlight or TV remote control-can be wielded with the same authority.

“As long as it is semi-cylindrical and fits in your hand, it will have most of the [features] mentioned above and can be applied with dan bong principles,” Taejoon Lee explains. “While hwa rang do teaches the use of some ancient Korean weapons, it is all applicable to modern life and modern conflict.”